SALONE DEL MOBILE 2026

VAN ROSSUM PRESENTS A BROADER INTERIOR VISION IN MILAN

At Salone del Mobile 2026, Van Rossum expands the frame around its furniture. Across new works by Niko Koronis, Dan Yeffet, Vito Boox and Emre Yunus Uzun – alongside additions by established collaborators Christophe Delcourt, Pieter Maes, Casegoods and Thomas Haarmann – the brand extends into lighting, rugs, mirrors and accessories. The collection shifts attention to the elements that shape a room’s atmosphere as much as its function.

For the installation, Haarmann has developed a scenography that gives this shift spatial form. Conceived as an open, gallery-like setting defined by textile-covered walls and a restrained colour palette, the installation brings the collection together in a room that feels measured, focused and intimate.

For the installation, Haarmann has developed a scenography that gives this shift spatial form. Conceived as an open, gallery-like setting defined by textile-covered walls and a restrained colour palette, the installation brings the collection together in a room that feels measured, focused and intimate.

VAN ROSSUM PRESENTS A BROADER INTERIOR VISION IN MILAN

At Salone del Mobile 2026, Van Rossum expands the frame around its furniture. Across new works by Niko Koronis, Dan Yeffet, Vito Boox and Emre Yunus Uzun – alongside additions by established collaborators Christophe Delcourt, Pieter Maes, Casegoods and Thomas Haarmann – the brand extends into lighting, rugs, mirrors and accessories. The collection shifts attention to the elements that shape a room’s atmosphere as much as its function.

For the installation, Haarmann has developed a scenography that gives this shift spatial form. Conceived as an open, gallery-like setting defined by textile-covered walls and a restrained colour palette, the installation brings the collection together in a room that feels measured, focused and intimate.

A MONOCHROME BACKDROP

The installation is deliberately spare. The scenography is arranged as an open sequence rather than a fully furnished interior, allowing furniture, lighting, rugs, mirrors and objects to stand clearly in the room.

Textile-covered walls soften the acoustics, while a monochrome palette – built around the shades Volcanic Rock, Granite, Iron and Pebble, newly introduced in Van Rossum’s leather and fabric collection – keeps the setting simple and controlled. In a presentation that introduces more categories and more voices, this sense of restraint allows each piece to hold its own while remaining part of a cohesive whole.

NEW DESIGNERS: NIKO KORONIS, DAN YEFFET, VITO BOOX AND EMRE YUNUS UZUN

Van Rossum’s collection continues to evolve through collaborations with four new designers, each approaching the work from a markedly different direction.

CDN, by Milan-based Greek architect and designer Niko Koronis, is a series of coffee tables that condenses an architectural way of thinking into compact form. Shaped by geometric rigour and a sculptural handling of volume, the collection brings a firmer, more structural reading to Van Rossum’s range.

Paris-based Dan Yeffet brings a long-standing engagement with furniture, lighting and interiors to Van Rossum’s move into new categories. His FLEET collection began with the bow of a cargo ship observed at the seaport, translating that steep, weighty silhouette into a desk lamp, vessels and vases that carry something of its force into the room.

With DATSU, Amsterdam-based visual artist and designer Vito Boox translates the logic of growth, erosion and decay into furniture. Developed through digital design and realised through traditional craftsmanship, the collection includes an oval dining table, a round dining table and a stool, each shaped by softened contours and swelling volumes.

Istanbul-based designer Emre Yunus Uzun works with mass and stability. In ELEFANT, oversized cylindrical bases, softened edges and deeply textured linear carving give a console, a bench, two dining tables and a stool a heavy, grounded presence.

NEW CATEGORIES: LIGHTING, RUGS, MIRRORS AND ACCESSORIES

This year, Van Rossum broadens its offer through lighting, rugs, mirrors and an expanded focus on accessories. Carried by newly introduced designers and established collaborators alike, the shift feels built into the collection rather than added at its edges. What emerges is not a separate layer of additions, but a broader way of shaping the room around the furniture.

“Furniture has always been the foundation of Van Rossum. As we begin to think more broadly about the house of Van Rossum, it feels natural to extend the collection into the surrounding elements of a room – lamps, rugs, mirrors and accessories – as long as they carry the same values as the furniture,” says Haarmann, Creative Director of Van Rossum.

New works by Christophe Delcourt, Pieter Maes, Casegoods and Haarmann make that shift visible, extending the collection into new categories through designers already central to the Van Rossum world.